Dr Rory Mac Sweeney | How did Leonardo da Vinci inscribe the human body in both a circle and a square?
About this episode
Around 1490, Leonardo da Vinci drew a man inscribed simultaneously within a circle and a square – the figure now known as Vitruvian Man. Measurements of the drawing place the ratio of the square’s side to the circle’s radius at approximately 1.645. Despite more than a century of analysis, no consensus has been reached on the geometric construction Leonardo used to generate that proportion. Independent researcher Dr Rory Mac Sweeney proposes reframing the problem geometrically. The circle represents radial geometry – organisation around a centre. The square represents orthogonal geometry – organisation along perpendicular axes. The question becomes: which geometric form mediates between them proportionally? Read More
Original research published by:

Original article:
Summary of the paper: ‘Leonardo’s Vitruvian Man: modern craniofacial anatomical analysis reveals a possible solution to the 500-year-old mystery’ in the Journal of Mathematics and the Arts, doi.org/10.1080/17513472.2025.2507568
Contact:
For further information, you can connect with Dr Rory Mac Sweeney at rorymacsweeney@hotmail.com
This work is licensed under a Creative Commons Attribution 4.0 International License. 
What does this mean?
Share: You can copy and redistribute the material in any medium or format
Adapt: You can change, and build upon the material for any purpose, even commercially.
Credit: You must give appropriate credit, provide a link to the license, and indicate if changes were made.